Death On Demand
By Dan Scapperotti
There is more to this Florida beauty than meets the eye. As if any more is needed. Since abandoning her native Minnesota at the tender age of sixteen, Krista Grotte has been involved in the mental health field. She majored in abnormal psychology and social work in college. An adventurous spirit led her to avoid the safe havens of the profession for the sometimes dangerous venues that deal with individuals with violent proclivities. But her real ambition was to become an actress.
“I’m a universal person,” Grotte says. “I have a lot of crazy life experience and that brings a lot to the table. I’m myself all the time. I develop a relationship with everyone I work with and I think it’s because I love it so much. The wildest thing I’ve done in my life happened when I was a teenager. I was pretty rebellious and we went to Wisconsin and had sex in a church.”


By Dan Scapperotti
Court’s contribution to the horror genre was small but significant. Although most of her credits were in episodic television (including a TWILIGHT ZONE episode titled “The Fear”), she also appeared in over half a dozen horror films, including GHOST SHIP (1952), DEVIL GIRL FROM MARS (1954), and DR. BLOOD’S COFFIN (1961). Moving back and forth across the Atlantic, she appeared in two productions for England’s Hammer Films,
By Dan Scapperotti
Well it wasn’t the face that launched a thousand ships exactly, but the face and body of this gorgeous blonde certainly had their effect on young males during the Fifties. In her short career, Mamie Van Doren left her mark on sex and rock and roll in such films as Untamed Youth, High School Confidential and Running Wild. She and fellow blonde bombshell Jayne Mansfield were the first American mainstream actresses to appear nude on screen. Australian author Barry Lowe recounts Van Doren’s cinematic adventures in Atomic Blonde: The Films of Mamie Van Doren (McFarland & Company).
After winning the Miss Germany International title in 2002, Eva Derrek picked up stakes and moved to Los Angeles where she easily found swimwear and lingerie modeling assignments for such firms as Wicked Weasel Bikinis. She can be found on websites like surfillustrated.com and in the pages of such magazines as FHM and Krown. Although she had taken acting classes in Germany as a teenager, Derrek wasn’t focused on a movie career, especially one where she would face off against wicked wizards, werewolves and vampires. But when she arrived in the City of the Angels she decided to continue her acting classes. With an aptitude for languages–she speaks several–Derrek was able to mask her Teutonic origins.
Here at Femme Fatales, we love all the exposure we can get. That’s why we want to thank Vanity Fair for continuing the “Fresh Faces” tradition we started, oh, four years ago. As dedicated Femme readers will remember, our latest winner was Russian import turned Deal or No Deal box gal Miss Anya Monzikova.
Heck, they even included Jessica Biel, our cover from December 03! At Femme, we’ve always prided ourselves in finding and exposing new faces that we feel the world should get to know, and it’s always nice to see that other magazines feel the smae way. So to Vanity Fair, we just wanted to say, “thanks for joining the freshest club in town!”
Bunny Yeager, glamour photographer extraordinaire, who introduced the luscious Betty Page to Playboy, has compiled a treasure trove of her photos of exotic dancers who tread the stages of nightclubs and burlesque houses in the Fifties in her 160 page book, Striptease Artists of the 1950s (Shiffer Books).
Cassandra Hepburn may be on our cover, but if you take a look inside, you’ll find Femme favorite Shannyn Sossamon taking a moment from her busy schedule to chat with us. Why do we like her so much? Maybe it’s her dark side that she so embraces.


